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The purpose of this conceptual paper is to integrate two previously disparate areas of research: mindfulness and the entrepreneurial process. This present study conceptualizes the impact of mindfulness on the choices entrepreneurs face. Specifically, the research theorizes the positive effects of mindfulness on the opportunity recognition process, including evaluation of entrepreneurs. Furthermore, we propose that metacognition mediates this relationship, and emotional self-regulation moderates it. This conceptual research also suggests that mindfulness is positively related to the ethical decision-making and opportunity recognition and evaluation. Finally, compassion is proposed as a factor that mediates the relationship between mindfulness and ethical choices in opportunity recognition.

The chapter explores how tourism creates even more dependence as spaces become gentrified and too expensive for local occupation through colonial tropes, and accumulation models. Tourism consumes gently. In the wake of Hurricanes Irma, Maria, and Dorian, The Bahamas and Puerto Rico have experienced an accelerated strike on their natural and social resources: from land deals and tax concessions to power infrastructure and school closures. Debt has plagued the countries; the policies designed to get them out of debt prior to the natural disasters, then converted into man-made disasters, have only deepened dependence and indebtedness. In fact, both have become externalized communities where land is being accumulated through dispossession. Tourism is more than just hotels and resorts; it is now the gated communities and private islands that build on coloniality and inequalities. Tourism, disaster capitalism, and green grabbing accumulate by dispossessing locals of land in the name of improving their economic health. Economic well being seems to result in loss.

The fairy tale is a genre popularly associated with characters that inhabit opposite extremes in the axis of good and evil, such as the brave prince, the beautiful princess and the wicked witch. From the tension between the two extremes emerges the familiar narrative: as Dallas Baker has remarked, the death of the monstrous villain often precedes ‘heterosexual fulfilment’ (2010, p. 8), and thus the classical script is laid out.

This chapter will investigate how lesbian and bisexual retellings deconstruct that script and collapse the insurmountable distance between good and evil, hero and villain, queering fairy tale paradigms and upending genre expectations. Sam Miller declared in 2011 that ‘there are no more queer monsters’ (p. 222) in horror films, making the fact that they still lurk in fairy tale retellings all the more remarkable, although they often do so disguised as, or otherwise fused with, well-known childhood heroines. In this way, Lauren Beukes’s The Hidden Kingdom (2013) aligns a bisexual Rapunzel with Sadako, the vengeful spirit from Japanese horror film Ringu (1998); The Sleeper and the Spindle (Gaiman, 2014) features a Snow White who must save the Sleeping Beauty, here an evil witch guarded by zombie-like sleepers; and ABC's Once Upon a Time (2011–2018) features a bisexual Little Red Riding Hood who transforms into a dangerous werewolf. This chapter thus explores the significance of resilient, queer monstrosity in contemporary fairy tales, these authors' interpretation of the conservative archetype of the queer villain, and the potential of these retellings to enact subversive fantasies of empowerment for queer readers.